Timing and coordination is essential to create a melody. The conch shell is an organic instrument. AAJ : How many shells do you own? ST : There are hundreds at the house, but I use about twenty-five of them in my performances.
When I play a song in concert, I generally play several conch shells within the framework of the song. They each have a different pitch. AAJ : Tell me about the gigantic, colorful one you use? ST : That one is from Australia.
It was painted in by a muralist from Cuba named Salvador. His murals were all up and down the street, and I felt honored that he painted the conch shell. It's a beauty. AAJ : Would you like to do another shell ensemble recording? He paints giant ocean scenes on buildings, and they are called Whaling Walls.
He has painted 94 walls, and plans to do His art sends out a message to people to respect the oceans and waterways, so our future generations will survive! Last October, I met him and his crew in New Bedford, Massachusetts, which was once the whaling capital of North America, and he was creating one of his famous walls.
The whole idea was for my wife, Akua Dixon, and me to play music while he painted. The kids enjoyed the blending of music and art, and it was educating them about the importance of clean water! It was fun. Wyland took Akua and me up on the cherry-picker while he painted his rendition of the great white whale. He is like a musical improviser; he knows where he is going with his art, but no one else does until it's done. That was a great experience, which led to another project, in which Vincent Herring put together a band to compose original songs to Wyland's art.
His ocean art was set up in the studio, and the album starts off with the sound of my conch shell. Wyland put his art around the recording studio to inspire the compositions, and I think we put together a fine collaboration with an important message. When this CD sees the light of day, it should be a beautiful package of Wyland's ocean art and some very good music. At the end of the session, Wyland gave each of the musicians a framed piece of his artwork.
That was mighty generous of him. Now that Wyland has his own record company, I would consider using the shells as a centerpiece for the next recording; we'll have to work it into our busy schedules. As a member of their faculty, do you teach students the trombone? ST : I teach many students from all over the world. My good reputation apparently has traveled far and wide. Generally, I tutor the students at my home, in my basement, which is set up as my music studio. It's equipped with a piano, recording equipment, and all sorts of musical memorabilia.
AAJ : What advice do you give your students? ST : First of all, I try to convey that they need to learn the lineage of the music. Respect the past, and you will progress into the future. Nowadays, too many people hear music with their eyes; not with their ears. The MTV generation has made many musicians lazy. AAJ : What else? I worked with some of the best musicians in the world.
Ray Charles was immensely talented, and successful. He had his own private jet to take him to the gigs. He also had a manager who was depicted in the movie Ray. He was a crook, and I'd like you to put this in the interview. His name was Joe Adams, and he ripped off many musicians. Protect your work. I try to teach my students this. Also, you don't have to play louder, higher and faster to be good. Sometimes, softer, lower, and slower works just as well.
AAJ : Any great artists, living or dead, you would like to have had the chance to play with, but didn't? ST : Miles Davis, one of the great jazz innovators. I met him once, but did not get the chance to perform with him.
Sonny Rollins is one of our living national treasures. It would be an honor to perform a song with him. AAJ : You come from a musical family, don't you? ST : I have two brothers, and two sisters.
The levees broke after Katrina, and his home took in about six feet of water on the lower level. He evacuated to Tennessee for awhile, but now he's rebuilding. Unfortunately, he lost of lot of his music equipment and musical memories, but he's a survivor, and will land on his feet. My wife of twenty-seven years, Akua Dixon, is an extraordinary musician, arranger, and music teacher.
I met her at a place called Ali's Alley, in the Village. Believe it or not, I was playing bass with Chico Hamilton's band; his bassist was sick, and I filled in for awhile. I didn't want to stick with the bass, though, I was more interested in the brass. Akua was a Broadway show musician when I met her.
We ended up living together for about a year before I popped the question. The late Hilton Ruiz was the best man at our wedding.
ST : Yes, such a great talent. The Very Thought of You is not the first time that Turre has melded his voice with strings. With The Very Thought of You , Turre offers a beautifully vulnerable and lyrical side to that catalogue of memories. As one of my heroes and teachers, all his music was influenced me, but this CD is truly special.
I have seen Danilo come full circle with the music he started composing on Motherland. Along with Rudresh Mahanthappa, he has started incorporating Middle Eastern rhythms and harmonic flavors into both his writing and improvisations.
This is the true meaning of world music. The melodies are so haunting that I find myself listening to it for days at a time. This is classic Bill Evans trio.
I love this particular trio with Eddie and Gomez and Marty Morrell. At this point Bill had established himself as one of the most important pianists and this trio played very refined with no need to impress. Keep Searchin' par Steve Turre. The Spirits up Above par Steve Turre. One 4 J par Steve Turre. Right There par Steve Turre. September in the Rain par Steve Turre. Artistes similaires.
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