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Date Added: Jan 6, Classical Rock Steady rhythm recorded at Studio One, the original cut was performed by Heptones in Max Romeo. Joe Salamanca Artwork. Mary Fagot Artwork. Bud Gaugh Drums. Philo Hayward Engineer. Rob "Smokey" Soto Engineer. Donald Stodden Layout. Jon Phillips Management. Eddy Schreyer Mastered By. John Dunne 2 Photography By. To Freedom [2 LP]. Everyday Life, Everyday People. Slightly Stoopid. What other items do customers buy after viewing this item?
Closer To The Sun. Check out our turntable store for a great selection of turntables, needles, accessories, and more. Register a free business account. Product details Vinyl Label: Cornerstone R. Customer reviews. How does Amazon calculate star ratings? The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness.
Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. Verified Purchase. The guitars and bass are turned up and the sound is raw and edgy — You only released it to Vinyl, is that right? Yeah that was the case with both Perro Bravo records. The only way you can get someone to sit down and listen to your music is on vinyl. Is that a tribute or letter to Brad? It sounds that way when you listen to the lyrics. What are you conveying in the song to Brad or to the listeners?
That was one of them luck deals where I started writing songs because I was in a band Volcano with Curt Kirkwood from the Meat Puppets, who is like my hero! I was walking on the beach at Rincon with my dog. He just wrote a song, do you want to hear it? I got lucky on that. Curt was right, you get lucky every now and then. It has nothing to do with music anymore. So I can be data-mined? I just choose to not be a part of it. Simple as that. What are the odds 1 of those songs is any good, let alone 22?
Sublime was packing fucking houses every fucking time! We had nothing, we had a 5 song TAPE! There are no shortcuts in entertainment. You have to kick ass, take names and then somebody will tell YOU when its time to record, its not the other way around.
See, Brad knew this because he was an economics major. People just make albums to put them out but does anybody want it? I consider both Perro Bravo albums to be the equivalent of cassette demos.
I love hearing your perspective on music today. The music you created with Brad is a driving influence into what we hear bands doing with it today… The only way I could describe it is they found the UFO after Sublime crashed when Brad died. But without Brad to explain the controls, they put it all together wrong. Does that make sense? From the top, I never been a resource to help people understand what we were all about.
They made their own conclusions. A lot of times, neither was Bud. Elephant Man 05 - Liar Feat. Lady Saw 06 - Black People Feat. Bounty Killer 07 - Party Hot Feat. Chakademus and Pliers 09 - Love Sound Feat. Abijah 14 - Just To Know Feat. Maxi Priest 15 - Big Up Feat. Wayne Marshall 16 - Searching Feat. Trini 17 - Mango Tongo Feat. Mills Brothers. Mitch Miller. Moe Bandy. New York City. Noah Kahan. Oxmo Puccino. Papa John Creach. Pip Blom. Placido Domingo.
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