On the front, there are two men in suits shaking hands, one of them on fire. Ronnie Rondell and Danny Rogers were the stunt men hired for the cover, and the high winds that day caused Rondell to lose his eyebrows and moustache.
Considering it was the '70s, it was probably a pretty great moustache, too. Seller's other items. Sell one like this. Related sponsored items Feedback on our suggestions - Related sponsored items. Cassette Tape Job Lot. Reel to Reel cassette tape self-made high quality design Silver color New. Similar sponsored items Feedback on our suggestions - Similar sponsored items. The graphic depicted a twist on the cover image: a mechanical shaking of hands. Drummer Nick Mason said the shrink-wrap was delicious icing on the cake for the band, which, at that point, had begun to view the industry with no small amount of cynicism.
They eventually went separate ways. Thorgerson continuing doing design work under the moniker StormStudios; Christopherson went on to a career in music with Throbbling Gristle and Coil ; and Powell continued film work using the name Hipgnosis. Thorgerson passed away on April 18, , succumbing to cancer at age Christopherson had died a few years prior: Nov. Rondell was already an accomplished stuntman when he posed for the album cover.
Sheep Raving And Drooling 6. Pigs Three Different Ones. You must be logged in to post a comment. This site uses Akismet to reduce spam. Learn how your comment data is processed. I'm very happy about it. A jazz violinist popular at the time and well known for his collaborations with Yehudi Menuhin , both violinists were recording in a downstairs studio at Abbey Road at the time.
Gilmour had suggested that there be a little "country fiddle" at the end of the song and invited them to participate. According to Waters it was decided that it would be insulting to credit Grappelli in the sleeve notes for something so inaudible, although he did receive the agreed-upon fee. As part of the Why Pink Floyd? Other less obvious differences are audible, for example at the section leading into the second verse.
The master tape of the original recording includes guitar solos that were not used in the final mix. It was not played live by the band for nearly ten years after this, yet became a concert staple after its reappearance in , and was performed at nearly all subsequent Pink Floyd concerts.
In the original concert performances, Gilmour would play his Fender Stratocaster instead of acoustic guitar, while Snowy White played a twelve-string Ovation acoustic guitar.
At these shows, Nick Mason tuned an actual transistor radio on stage to a local radio station, seguing into the pre-recorded part from the album to start the song and Richard Wright would perform an extended piano coda as the wind effects played. A live version is included on Pulse.
When Pink Floyd were inducted into the Rock and Roll Hall of Fame ,  Gilmour and Wright Mason was in the audience performed the song with the assistance of their presenter Billy Corgan on rhythm guitar. Gilmour has made the song a part of most of his tours, and included a live version on his Live in Gdansk album. In , Waters and Eric Clapton performed the song at the Tsunami Aid concert, and in 's Live 8 , Waters rejoined his former bandmates in London to perform it, along with four other classic Pink Floyd songs.
Waters sung half the verses during Live 8, while in the original version Gilmour did all the vocals. Problems playing these files? See media help.
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