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IsraBox - Music is Life! Tracklist: 1. So I am rewriting it now, just for sheer enjoyment. I have arrows pointing at them in the photo above.
I saw this photo long before I discovered the McCartney twins, and it stuck with me. But I did not know to follow my instincts. It just struck me as very strange. It is continually churned, new clues added now and then, as with the JFK assassination.
I know this because it avoids the obvious answer. Paul McCartney indeed disappeared and was replaced by a lookalike, and I know who the replacement is. It was not hard to discover. The purpose of the PID psy-op is to prevent people from learning easily discoverable truth. It is misdirection. The phone call to WKNR and subsequent publicity was obviously a staged event.
The troubling question why? Had the managers of the Beatles not done the whole business with album and song clues, the whole switch would have gone down seamlessly. It was done so well that we would never have known to question it. Why did they clue us in? To understand the switch, it is important to know that there was not one McCartney, but two, a set of fraternal twins, Paul and Mike, born in June of In the switch, Paul indeed disappeared, and Mike took his place.
But another switch was necessary — somebody had to become Mike McCartney, since Mike was now playing Paul. He is not. I do not know his real name. As you can see from the photo at the left, from the late 60s or early 70s he bears no resemblance to a McCartney.
The switch was necessary since so many people at Liverpool Institute, where both attended, would know of the McCartney twins. So the invention of Mike McGear was enough to take care of most who knew them only casually. For the few who might have been close friends and suspected something was up, they were probably persuaded to keep quiet.
Remember, the Beatles were not four boys and couple of managers, but a large intelligence operation. They were ideal. So the switch did not happen in , as the PID crowd asserts. It happened long before. The Scaffold recorded a number of UK hit singles between and , the most successful being the Christmas number one single , " Lily the Pink ". The Scaffold ended up hosting a TV programme, Score With The Scaffold , which limited the musical portion of their career, and they were dropped by Parlophone.
McCartney then signed to Island Records and released a solo musical album entitled Woman in , which again included many tracks co-written with McGough, and The Scaffold subsequently released their own album on the label, Fresh Liver. McCartney then signed to Warner Bros. Records and in released his second non-comedy musical album, McGear , in which he collaborated with his brother Paul and Paul's band Wings.
Although four singles were released from these sessions, only "Leave It" enjoyed any moderate chart success No. However, also recorded during McCartney's sessions with Wings was a Scaffold "reunion" song, "Liverpool Lou", which became The Scaffold's last top-ten hit.
This led to the group's re-formation in , and they recorded and performed together through toWith the collapse of the band Grimms, in McGear decided to resume a solo career. McGear and McCartney got together to record a single: UK pressing - 'Leave It' b/w ''Sweet Baby' (Warner Bros catalog number K ) US pressing - 'Leave It' b/w ''Sweet .