The better Judas was Carl Andersen in the movie version. One person found this helpful. My initial experience with this marvelous opera was the original vinyl recording. It was excellent throughout. This rendition, which I bought mostly due to pricing, was very disappointing to me.
There was a sense of forced performance, an apparent attempt to "out-do" the original cast, and too much energy used to become "creative" with the original performance and vinyl recording. I agree with one reviewer who lauds the work of Claire Moore Mary Magdalene , a key figure in the life of Christ, for purity of sound and depth of vocal quality.
However, I stop short of saying she is better than the original cast person. In fact, I'm returning this recording without regard for reimbursement in favor of spending a few bucks more for the original CD recording of JCS. Respectfully, Russell F. I was disappointed with this purchase. This is not the original recordings that I was looking for. I have some nostalgia for this particular music and was let down a bit bit that fact. Same cast 20 years on can't quite get it right.
Plus, the lyrics of the phrase " Political correctness run amok. This CD and Godspell are two of the "must haves" for anyone who wants to appreciate a sense of the inspirational music and faith inspired by the two most powerful musicals produced in the second half of the 20th Century. Of course, this is an excellent opera. It really is an opera since it is all sung. Anyone would be lacking if they did not like this wonderful piece of music.
The analog to digital quality of this album is just fair to good. Quite a bit of the richness of the album sound is gone. It is flat. See all reviews from the United States. Top international reviews. Translate all reviews to English. Thank you for your feedback. Sorry, we failed to record your vote. Please try again. Translate review to English. You've read the top international reviews.
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Album cover for the American release of Jesus Christ Superstar. Title role, leader of the twelve disciples , called the "Son of God" and the "King of the Jews. Judas Iscariot. One of the twelve apostles of Jesus; concerned for the poor and the consequences of Jesus's fame. Mary Magdalene. Pontius Pilate. Governor of Judea who foresees the events of Jesus's crucifixion from beginning to aftermath in a dream and finds himself being presented with that very situation.
The other main antagonist of the show. Fellow priest at the side of Caiaphas who is persuaded by Caiaphas into seeing Jesus as a threat. One of Jesus's twelve apostles; denies Jesus three times upon the night of Jesus's arrest to save himself.
One of Jesus's twelve apostles; urges Jesus to lead his followers into battle against the Romans. Yvonne Elliman. Giovanni Spano. Nick Holder Alice Cooper in cast recording. Best Performance by a Featured Actor in a Musical.
Best Original Score. Best Scenic Design. If its content seemed daring and perhaps downright sacrilegious , the work, a "sung-through" musical echoing operatic and oratorio traditions, was structurally perfect for an album; just as remarkable as its subject matter was the fact that its musical language was full-blown rock music.
There was at the time an American-spawned hit theater piece called Hair that utilized elements of rock music, but it wasn't as unified a work as Webber and Rice 's creation, and it was less built on rock music than on pop music that referred to rock; Webber and Rice 's work presented a far sharper, bolder musical edge and pushed it much further and harder than Hair ever did.
Serving as their own producers, the two creators got together more than 60 top-flight singers and musicians including Chris Spedding , John Gustafson , Mike Vickers , P. Arnold , and members of Joe Cocker 's Grease Band , not to mention Murray Head , Ian Gillan , and Yvonne Elliman in key singing roles , and managed to pull the whole production together into a more than coherent whole that contained a pair of hit singles the title track and "I Don't Know How to Love Him" to help drive AM radio exposure.
What's more, the whole album sounded like the real article as far as its rock music credibility was concerned -- it was played good and hard for a studio creation. Released in America by Decca as a handsomely decorated double-LP set complete with illustrated libretto, Jesus Christ Superstar seemed to pick up where the Who 's Tommy also a Decca release and Hair had left off, and audiences from across the age and cultural spectrum responded.
Teenagers who didn't know from Jesus, opera, or oratorios liked the beat, the hard rock sounds, and the singing and bought the album, as did parents who felt that the record offered a chance to understand some aspects of this youth culture around them, and especially its music -- and so did some more forward-thinking clergy and theologians, who saw any opportunity to spread the word about Jesus where it wasn't previously going as intrinsically good.
The result was a chart-topping LP followed in short order by a Broadway production and, a little later, a multi-million-dollar movie oddly enough, the original double LP created barely a ripple in England in and , though there was eventually a British stage production that went on to become what was then the longest-running musical on London's West End.
And all of this acceptance and embrace in America took place scarcely five years after an innocent observation by John Lennon concerning the relative popularity of the Beatles and Jesus, made in England but reported in the American tabloids, had led to protests and a media boycott of the band's music and their tour across the Bible Belt. Jesus Christ Superstar , by contrast, passed through the border and Southern states without any controversy, speaking volumes in the process about what had happened to American society in the interim.
The original release was also the first "event" album of the '70s, presaging a brace of generally less successful efforts in that direction, ranging from Lou Adler and Lou Reizner 's orchestrated version of Tommy Pete Townshend 's rock opera basically blown up to Jesus Christ Superstar dimensions to the soundtrack All This and World War II and Leonard Bernstein 's Mass.
Patent Office for his clever new design for a fencing wire with sharp barbs, an invention that will forever change the face of the American West. On October 27, , poet Sylvia Plath is born in Boston. Her father, a German immigrant, was a professor of biology and a leading expert on bumblebees. An autocrat at home, he insisted his wife give up teaching to raise their two children.Nov 24, · 50+ videos Play all Mix - Andrew Lloyd Webber This Jesus Must Die YouTube Jesus Christ Superstar Film (): This Jesus Must Die - Duration: Jesus Christ Superstar .