Thanks for stopping by. It was a refreshing take on a classic song. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account.
Notify me of new comments via email. Notify me of new posts via email. Skip to content. Share this: Tweet. Like this: Like Loading Great post. Wow, wann gab es das zuletzt? Reine, analoge Musik von Steve Roach! Ich kann mich wirklich nicht erinnern, gab es das schonmal? Das ist wirklich was sehr ungewohntes von Steve. Pure analoge Musik mit Rhythmus und Melodien ….
Und so wie ich es auch gelesen habe, ist dies noch nicht alles, denn Steve Roach gibt noch die -The Skeleton Collection- heraus, die analoges Material aus der gleichen Zeit beinhaltet. The Skeleton Keys ist schonmal ein richtiges Highlight und daher absolut zu empfehlen! Reviews Editor — May 4, From Echoes. But since Roach has been relentlessly discovering new music directions for 35 years, when he revisits these sounds, he hears it anew, discovering innovative pathways in an old vocabulary.
Steve Roach is a child of German space music. While many artists were content to stay in that mode, Roach crossed the border into a new world of sound, developing techno-tribal with Dreamtime Return , deep drone with Magnificent Void , and galactic expansion on albums like Arc of Passion. Elements of those s sequencer pulses would return, radically shifted, on albums like Light Fantastic and Proof Positive , but they have been secondary or understated elements on the 50 or so solo albums Roach released since Empetus in Roach slowly alters sequencer patterns in a track, changing focus, bringing one element into bas relief then re-submerging it into the pattern.
This might be the only Roach album that displays its technology like a trophy. Roach composed Skeleton Keys on a massive analog synthesizer constructed in the style of early Moog modulars, with tons of switches, knobs and patch bays. An extreme close-up photo of a few knobs on the instrument graces the cover and a promotional postcard has Roach standing in front of it, the huge synthesizer spilling beyond the frame.
A lot of artists are going in this direction these days, but few have the mastery and control that Steve Roach reveals. Sonically and sensually, Skeleton Keys is as immersive as anything Steve Roach has recorded and is best heard loud on good speakers or headphones, as patterns bounce across the stereo spectrum in lysergic pirouettes.
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Classical Voices Nessun Dorma - Potts, Paul 2. Passera - Il Divo 3. Easter Hymn - Garrett, Lesley 4. Panis Angelicus - Church, Charlotte 5.
Jerusalem - G4 2 6. Amazing Grace - Terfel, Bryn 7. Che Galida Malina - Domingo, Placido 8. Sempre Ricordo - Operababes You also have a large variety of ways to warp the wavetables, including even FM synthesis with the other oscillator, ring modulating them, or more standard warping features. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts.
The modulation system is handled by an intuitive drag-and-drop system, similar to that of Massive, but with a slot mod matrix letting you see everything in one place, and advanced features. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob. It can't be denied that Robert Fripp was into jazz throughout his career or the blue notes. The major-scales and euphoric stadium-rock choruses have never appealed to me so when I got familiar with King Crimson's music it was like getting a taste of heaven.
Guitar World. New York City. Retrieved 24 February I like Red , too. The "patterny" thing that Fripp is known for had a big influence on me. Event occurs at Retrieved 24 March Guitar Player. Interviewer : In the past it was always riffs front and center, interspersed with hard solos. Now you explore the middle ground and distance with coloristic parts that are neither monster riffs nor flashy solos. Kirk Hammett : There are fewer part orchestrated guitar sections, fewer massive, bludgeoning riffs perfectly replicated by lames.
There are more flexible ideas, more artistic flourishes, more colors. I'm more interested in using guitar sounds as textures and using effects in a more textural fashion. Fripp is one of the most interesting guitar players I've ever heard--and I've just discovered him! Retrieved 23 February Retrieved 15 April Premier Guitar.
Retrieved 13 March Retrieved 19 April Retrieved 26 April Ultimate Guitar. So things like Crimson and stuff like that. The Rockpit. Retrieved 21 February I later learned about King Crimson having that side too, because of Robert's influence. All that counterpoint madness he wrote was brilliant. Also the use of loops and ambient environments as backdrops to these sonically beautiful pieces. Retrieved 8 March I always loved the idea of how they approached guitar, which is to orchestrate the song with different guitar sounds and different guitar styles.
Retrieved 25 February Retrieved 4 April Retrieved 31 August Robert Fripp is one of the biggest inspirations on me as a musician, someone who's had a career since the 60s and he's like constantly been an innovator, constantly pushing himself, trying new things, just constant source of inspiration [ Winnipeg Free Press.
Barcelona, Spain. He was an Alex Lifeson fan, and a fan of Robert Fripp [ I have so many favorite guitar players; Piggy from Voivod, Randy Rhoads, Robert Fripp, Ty Tabor, Dime, I can't list them all here but they continue to shape my playing and note choices long after they have turned off their amps. Heathen Harvest. Retrieved 2 March Washington, D. Archived from the original on 4 November Retrieved 7 March Q : Who were your guitar influences? Richard Pinhas : [ This CD made 3 budgies fall asleep in day light!
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